Did you feel when there was a script that dealt with race relations or war issues, it was unusual in television at that time?

Yeah, I think it was. I think it was. You know we were still very much involved with the Vietnam War and it was it was really sort of verboten to do any kind of drama at that time that that dealt with that. It was a very, very touchy subject and I think, with the exception of perhaps one episode, I think our attack and the posture that we took on social issues and vital topical issues, was, as I say, one that was very easy to support.